​USIT is the name of transcontinental duo consisting of Florida-based guitarist Jeff Duke and Sicily-based (and Sucumusic’s own) guitarist Gaetano Fontanazza.

“Jetlag Dreams” is their fourth release and the first one on Sucumusic.
​The two guitar maestros are masters of electronic devices too and their music is a whirlpool where ambient, psychedelic visions and cosmic drones meet glitches and rhythms that add colours and dimensions to the whole.

‘BRidGe,’ Nen.T.E.’s latest offering and the first one on Sucu Music out on July 14th, 2015, for the Netlabel Day 2015 special event, is based on two live performances recorded between October 2014 (tracks one to five, as part of a live installation at ‘Scritture Mobili’ – Mobile Writings – an exhibition by Sicilian artist Michele Lambo) and February 2015 (tracks SF one to five). Both performances were held as a single stream-of-consciousness-like improvisation for electronics, guitar, rhythms and effects, in a way not so dissimilar to what the likes of Tangerine Dream used to do way back in the early seventies, but with a psych-droney-ambient feel that is third millennium to the quick. For this release, however, Nen.T.E. chose to dissect their jams into proper tracks, which on the one side makes the production more accessible to a lot of people, on the other side leaves out nothing of the essence and the beauty of their music.

Manb is here and is ready to twist the laws of phisics as he decided to build his “particle decelerator” in Sucu Music territory.

He takes samples, glitches and noises, stirs everything in his subatomic blender, and the result is a beautiful and obviously juicy cocktail.

GAETANO FONTANAZZA
Music For Toys Meditation

[SCM-1302] November 15, 2013


Gaetano Fontanazza, a.k.a. Pseudo, guitarist and musician extraordinaire, offers his first release on Sucu Music, the beautifully entitled “Music for Toys Meditation”. As usual, he explores all of the most extreme and fantastic territories his guitar and his array of effects, musical skill and inventive, can take him (and us) to.
It is a short-length release, clocking off at 25 minutes, where ambient, glitch, noise and soundscapes create a unique aural and emotional experience in the listener. Not to forget some acoustic moments which, unexpected as they may sound, given the profoundly electronic feel of the work, do not appear strange or gratuitous at all.